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dc.contributor.authorPozo Antonio, José Santiago 
dc.contributor.authorCardell Fernández, Carolina
dc.contributor.authorBarral Rey, Diana 
dc.contributor.authorDionísio, Amélia
dc.contributor.authorRivas Brea, Maria Teresa 
dc.date.accessioned2021-08-23T10:47:32Z
dc.date.available2021-08-23T10:47:32Z
dc.date.issued2020-05-10
dc.identifier.citationMinerals, 10(5): 424 (2020)spa
dc.identifier.issn2075163X
dc.identifier.urihttp://hdl.handle.net/11093/2431
dc.description.abstractIn order to improve our knowledge of the weathering response of tempera paints exposed to an industrial atmosphere, azurite- and malachite-based paint mock-ups prepared with either rabbit glue or egg yolk binders were artificially aged in an SO2 rich atmosphere. The aim was to identify the different alteration mechanisms and forms of degradation in the paints by observing their physical (color, gloss, reflectance, and roughness), mineralogical, chemical, and micro-textural characteristics. Superficial physical changes were evaluated by stereomicroscopy, spectrophotometry, gloss measurement, hyperspectral imaging, and roughness measurements. Chemical and mineralogical changes were evaluated by X-ray diffraction (XRD), Fourier transform infrared spectroscopy (FTIR), and scanning electron microscopy with microanalysis (SEM-EDS), which was also used to evaluate the micro-texture of the paints. The differences between the fresh temperas were due mainly to the binder (egg yolk or rabbit glue) used in the paint mixture, which also played a crucial role in the different deterioration patterns in the artificially aged paint mock-ups. Thus, the egg yolk-based paints remained physically quite intact after SO2 exposure, although they suffered more significant chemical degradation, above all in the form of copious precipitation of Cu and Ca-rich sulfate salts and the subsequent yellowing of the egg yolk binder. The SO2 aged rabbit glue-based mock-ups showed microscopically important crack formation and binder loss and fewer sulfated salts precipitated on the surface of the paints.spa
dc.description.sponsorshipMinisterio de Economía y Competitividad | Ref. CGL2012-30729spa
dc.description.sponsorshipJunta de Andalucía | Ref. P12-FQM-1889spa
dc.description.sponsorshipJunta de Andalucía | Ref. RNM-179spa
dc.description.sponsorshipMinisterio de Economía y Competitividad | Ref. IJCI-2017-3277spa
dc.language.isoengspa
dc.publisherMineralsspa
dc.relationinfo:eu-repo/grantAgreement/MINECO/Plan Estatal de Investigación Científica y Técnica y de Innovación 2013-2016/CGL2012-30729/ES/IMPACTO DEL AEROSOL ATMOSFERICO URBANO EN PINTURAS/POLICROMIAS DE MONUMENTOS ARQUITECTONICOS (SEMI-)ABIERTOS. PREDICCION DE CAMBIOS CROMATICOS Y CONSERVACION PREVENTIVA
dc.rightsAttribution 4.0 International
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.titleEffect of a SO2 rich atmosphere on tempera paint mock-ups. Part 2: accelerated aging of smalt and lapis lazuli-based paintsspa
dc.typearticlespa
dc.rights.accessRightsopenAccessspa
dc.identifier.doi10.3390/min10050424
dc.identifier.editorhttps://www.mdpi.com/2075-163X/10/5/424spa
dc.publisher.departamentoEnxeñaría dos recursos naturais e medio ambientespa
dc.publisher.grupoinvestigacionXestión Segura e Sostible de Recursos Mineraisspa
dc.subject.unesco3318 Tecnología Mineraspa
dc.subject.unesco3312 Tecnología de Materialesspa
dc.subject.unesco6203.07 Pinturaspa
dc.date.updated2021-08-23T10:45:59Z
dc.computerCitationpub_title=Minerals|volume=10|journal_number=5|start_pag=424|end_pag=spa
dc.referencesThe authors would like to thank Ana Mato and Lara de Villalobos for their help with the acquisition and curation of the data. They also acknowledge the support of the CERENA (strategic project FCT-UID/ECI/04028/2019). Analyses were performed in the CACTI (Centro de Apoyo a la Investigación) Research Support Centre at the University of Vigo. The accelerated SO2 aging tests were performed in the Instituto Superior Tecnico (Lisbon, Portugal).spa


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    Attribution 4.0 International
    Except where otherwise noted, this item's license is described as Attribution 4.0 International